About the Artist

Dr. Imo Nse Imeh is a visual artist and scholar of African Diaspora art, whose work considers historical and philosophical issues around the Black body and cultural identity.

Dr. Imeh’s work has been exhibited in numerous public venues including the August Wilson African American Cultural Center (Pittsburgh, PA), the Fine Arts Center Galleries of Bowling Green State University (Bowling Green, Ohio), the Sigal Museum of the Northampton County Historical and Genealogical Society (Easton, Pennsylvania), the Mariposa Museum (Oak Bluffs, Massachusetts), University Museum of Contemporary Art (Amherst, Massachusetts), the Urban Institute for Contemporary Art (Grand Rapids, Michigan). His work is represented in the Petrucci Family Foundation Collection of African American Art; in the museum collection of the University of Massachusetts, Amherst; as well as in a number of private collections; and it has been featured by the PBS NewsHour, New England Public Media, Orion Magazine, and in the contemporary art and culture magazine Art New England. A series of Dr. Imeh’s works appear on the covers of six 2024 issues of the medical journal Biological Psychiatry, edited by Dr. John Krystal of Yale University. Dr. Imeh has been the recipient of the Mass Cultural Council Artist Fellowship for his studio project Benediction, a Project Evolution Grant from the ValleyCreates Program of Mass MoCA and The Community Foundation of Western Massachusetts, a Holyoke Cultural Council Grant, and the Springfield Cultural Council Grant.

Imeh earned a BA from Columbia University in 2002 and PhD in the History of African Art from Yale University in 2009. He is Professor of Art and Art History at Westfield State University in Massachusetts.

“My recent studio project is a figural and portrait series that considers the intersections of Black identity and the biological sciences, and divinity. The work is informed by themes of historical trauma and generational memory, faith and spiritualism, and practices of ritual collective healing. With this series I recuperate an alternative aesthetic and social project for perceiving Blackness, not in trauma and pessimism but rather in healing, revelation, wonder, and transcendence.”

Press

Selected Interviews and Exhibition Reviews

The World Keeps Turning with Columnist Allen Woods: An artist responds to insurrection | THE GREENFIELD RECORDER JAN 28, 2022

Imo Imeh’s “in his name” Reflects on Jan. 6th US Capitol Attack | CONNECTING POINT -WGBY JAN 6, 2022

Dr. Imo Nse Imeh discusses his developing project “Benediction” and the prevalence of trauma and renewal in Black life | ORION MAG AUG, 2020

Imo Imeh’s “Lead Me to Rest” Painting Resonates in Wake of Floyd’s Death | CONNECTING POINT – WGBY JUN 17, 2020
Public Painting Of Trayvon Martin Sparks Conversations About Racism On Campus | NEPR FEB 12, 2018
A Voice for the Voiceless: The Artwork of Imo Nse Imeh | BLACK ART IN AMERICA JAN 2020
Exploring The Invisibility of Black Children Through Art | AISLIN MAGAZINE FEB 2019
Review: Forgotten Girls: Lives In Peril | VALLEY ADVOCATE JAN 2018